As of this writing (Sept. 25, 2011), I have had the Sony XBR-55HX929 for simply over two months, so I assumed it was about time I shared my impressions of it. Not anything I have to mention differs significantly from what other (positive) reviews have stated, but I assumed I would contribute to the collective wisdom.
Permit me begin off with a bit of context: I have had, at least briefly, five HDTVs since March 2011: a sixty two” Mitsubishi WD-62525 (a rear projection TV with 720p local resolution), a Panasonic TC-P55ST30 (plasma), a Samsung PN59D6500 (also a plasma), a Samsung UN55D6900 (an LED facet-lit LCD), and the Sony XBR-55HX929 (LED backlit LCD with local dimming). The Mitsubishi died in overdue March and I have been searching for a replacement. As you may see, I have tried out simply in regards to the complete array of TV technologies. My search has ended with the Sony XBR-55HX929, and I’m very happy with it. I will examine the Sony with a few of the other units I have had below (toshiba dvr620).
There are a selection of issues that house owners or prospective house owners of the Sony have had, so permit me deal with those. First, the construct date. I ordered my set from Amazon.com on July 9, it shipped on the thirteenth and was introduced the 20th. It was assembled in Mexico in March 2011.
The feared “crease”: Yes, mine has the crease (a slightly darker “line” that seems along the perimeters of the image on many of these Sonys, often on the left and proper, but typically along the top and bottom edges, about an inch in from the bezel). I have pretty faint creasing on both the left and proper sides. It seems a little bit darker towards the underside of the screen.
Nevertheless: I trust many homeowners and participants to discussion forums that beneath regular viewing circumstances–when you’re looking at “actual content” slightly placing up a uniform (or nearly uniform) subject of color for inspection purposes–I never discover it. My wife has never seen it, nor has anyone who has come over to see the set. I can see it on the PS3′s home display screen, but that hardly bothers me. It surprises me a little bit that I say this, since I’m quite choosy and minor imperfections usually irritate me to no end (this is one purpose I have gone through all of the units mentioned above!). If I may see it after I considered standard content, I would go back the set. But I don’t. As it’s now, I could not dream of returning the set.
So, my view is that the “crease” problem mustn’t deter you from getting the Sony XBR-HX929. If you occur to do not want a new set immediately, by means of all manner wait a few months and maybe there will likely be a reliable circulate of crease-free units (although a latest remark from Sony UK has me considerably uncertain). If you occur to should buy now, I do not assume the crease ought to scare you away from this set. (Well… I’m a little bit torn about this actually: Regardless of what Sony UK has recently stated, the crease is probably a producing defect, and a top-of-the-line item should not have manufacturing defects (samsung ht-d6730w). So, I can sympathize with those that don’t need to give Sony money for freeing a really costly product with such a defect.)
Like a few others, I’m making plans to put a name it to Sony to report the crease. The extra they listen about it, the extra likely they are to do something. Additionally, if there’s a bear in mind, or a suggestion to switch units with the crease, etc., I would definitely be inquisitive about taking Sony up on that.
Image quality: I’m using David Katzmaier’s (from CNET) really helpful settings. Viewed from immediately on, entrance and center, at eye level, the picture is outstanding (4.five or five out of five stars). The blacks are really black–deep, inky, and just about indistinguishable from the bezel, especially if you view from a high-quality supply like a Blu-ray. It is the solely TV of those I have owned with blacks as deep as the Panasonic plasma’s. These deep blacks make for excellent distinction, which (along with sturdy shadow element and just right gamma) offers the image natural intensity and that “pop” that impresses viewers so much.
Colours are both wealthy and realistic. Shadow element is excellent. Blu-ray movies I have watched in this set up to now embody Toy Story 3, Baraka, Master and Commander, Harry Potter and the Prisoner of Azkaban, and Rango. All appeared completely incredible (although I give the general nod to Toy Story 3). Greatest in-home theater reviews I have ever had. I’m persistently “wow-ed” by means of the picture in this set.
Comparability with the Samsung UN55D6900 LCD. The colors on the Samsung were excellent (as quickly as I received the consumer-adjustable settings proper–which is comparatively easy on the Samsung due to its RGB-solely mode: one of the issues I like better about Samsung than the Sony). Still, the Sony’s are at least nearly as good (I did not do a side-by means of-side, simultaneous comparison, so it’s difficult to mention for positive which was better). Nevertheless, there’s one area in which the Sony obviously and, in my view, crucially bests the Samsung. The Samsung is an facet-lit LED-LCD (as are the entire upper end Samsung LCDs), which implies that the LEDs that provide the light for the TV’s picture shine in from the edges of the set–parallel to the floor of the display screen/LCD. Like many homeowners of Samsung’s LCDs (see consumer forums), I used to be actually bothered by means of the flashlighting (while gentle from the LEDs bleeds into a corner of the image), clouding (areas of the display screen that seem lighter than they want to) and usually uneven dark-scene efficiency exhibited by means of this set. The Sony’s complete-array LED backlighting (in which the light producing LEDs are arranged in the back of the display screen, shining gentle perpendicular to the floor of, or out through, the LCD display screen) with local dimming is superior in this regard, palms down. Even my wife agrees. (Although she did not assume the development was definitely price the heftier price tag. Obviously I disagreed!) Using the PLUGE sample on the DVE calibration disc, I may never get the 2%-above-black bars on both side of the principal grey-scale bar to be similarly seen on the Samsung–while the one to the left of the center grey scale was simply seen, the one on the best would not be. To improve this, I had to crank up the brightness, which progressed shadow element, but (obviously) hurt black levels. No such problem on the Sony. Both +2% bars are similarly seen while the blacks keep black and shadow element is preserved.
Viewing angles: A weak point, and one of the causes I do not give the set a five-famous person rating. The Sony can’t compete with the Panasonic or Samsung plasmas in this side of picture quality. Still, the viewing angles will now not be as bad as I feared from studying reviews and some other consumer comments. The image washes out worst as you progress away from entrance-and-center while the material is dark, but from my traditional viewing distance of about 10 feet, I can sit down on both side of my couch (a 3-cushion, 6.5ft couch) and spot very little modification within the picture. I would say that viewing angles are similar to the Samsung LCD (although I did not do extensive checks in this–I used to be basically concerned with display screen uniformity while comparing those). For something like sports activities on ESPN, and most cable/ local publicizes, I can stroll from one side of the room to the other with none bothersome lack of picture quality.
Blooming (a “halo” of sunshine that shouldn’t be there surrounding a brilliant item on a dark background): It happens, but again, now not as bad as I feared. (It’s price noting that a few blooming is just about unavoidable on LED backlit LCD televisions.) With precise viewing materials (blu-rays, dvd movies), considered from entrance center, I study infrequent blooming. Blooming is actually solely obvious on end credits, and images like PS3 pause and stop screens, but that hardly issues to me.
Now, off-attitude blooming is a unique story. No longer solely does the display screen wash out when you view from too far off-center, blooming turns into significant. Unhealthy enough that it’s another excuse I do not give the set five stars (panasonic sc-btt770). The moral: watch from entrance and center if you want that ultimate home theater experience!
The edge-lit Samsung LCD did not exhibit blooming to the same diploma, even off attitude–but I’ll take the off attitude and credit-display screen blooming over flashlighting and clouding problems. (They are related issues, actually: all end result while gentle from the LEDs shows up the place it shouldn’t.)
Plasmas do not (or should not) exhibit blooming, so again, the clear advantage is going to the Samsung and Panasonic plasmas in this side of picture quality.
Dirty Display Effect (uneven picture uniformity throughout pans that makes it look like there is something on the display screen–kind of like a skinny movie of grime): Yes, I discover it occasionally, but mainly on normal definition and pseudo-HD sources like Netflix streaming. I did not discover it on any of the blu-ray movies I watched (see above).
Video video games/reaction time: My take a glance at materials is Zen Pinball on the PS3. Good reaction times are important for this game (although now not as a lot as for combating video games), because you want the “paddles” to maneuver the moment you hit the shoulder buttons. Response time is good. Considerably better than on the Samsung LCD. I would say it’s related or perhaps simply slightly worse than the Panasonic plasma, although this may also be a memory-based mostly judgment of which I am not terribly assured, so take it for what it’s worth. Additionally: none of these units were on Recreation Mode. I have local dimming set to Normal on the Sony. Response times are progressed with local dimming set to Off and while the set is installed Recreation Mode. Nonetheless, I’m completely happy with the reaction times, despite local dimming On (the picture is best this fashion).
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